-Writer: Jeremy Adams
-Artists: Brandon Peterson, Marco Santucci and David Lafuente
-Colourists: Mike Atiyeh, Arif Prianto and Luis Guerrero
-Letterer: Steve Wands
It shouldn't be surprising to my readers that I'm not the biggest DC guy, considering this is my first post about a DC book. Nothing personal, I've just always found myself more drawn to Marvel's books. That said, I'm trying to expand my reading horizons a bit so a little while ago I picked up The Flash.
Naturally, I didn't expect the 768th issue to be an ideal jump-in point, but it does start a story arc involving the retirement of Wally West as Kid Flash, so it's good enough for me. In my opinion, picking things up in media res is part of the fun of reading comic books in the first place.
In this issue, Wally West confesses to the Justice League that he's decided to retire from his life as a super hero and asks Flash to sever his connection to the Speed force, the energy that gives all speedsters their power. In the process though, something goes terribly wrong, and Wally is zapped away into the prehistoric era, his consciousness and powers manifesting in a prehistoric man's body. With some help from other members of the League, The Flash is able to contact him, but it's not long before he's zapped away again, this time to the far future.
I have to sing the praises of the art here. It's obviously very difficult to make a 2-D image look like it's moving, let alone moving very fast, but the artists of this book accomplish exactly that. The backgrounds, environments, and expressions are all brilliantly done and do a lot to inspire the imagination. The sibling-like relationship Barry and Wally have is really enjoyable to read, so much so that I'm able to justify the heavy amounts of technobabble that I usually can't stand.
All in all, great issue. It's got my attention and although it's a little early to say for sure, I think I might become a regular reader.










